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After releasing a 2016 live album, In Bloomington, the prodigious songwriter shifted his focus to his label, Orindal Records, and put his efforts into helping other artists release their music.\u003c\/p\u003e\n\u003cp\u003eThis break from songwriting gave him time to explore not just how he makes music, but why he’s driven to do so. “I spent a lot of time thinking about why I write songs and what I get out of writing songs,” he said. “It took a while to get back to writing for myself, unselfconsciously.\u003c\/p\u003e\n\u003cp\u003e“The reason I’ve always made music is because it’s therapeutic for me,” he said. “It’s a way of processing my feelings and understanding my subconscious. I love the ritual of writing a song and performing it over and over again until its meaning reveals itself. It’s the closest I get to meditation.”\u003c\/p\u003e\n\u003cp\u003eThe meditative nature of Ashworth’s new songwriting process can be heard in Animal Companionship’s spacious arrangements. Blissful drones and lush synthesizer textures envelop soft electric piano arpeggiations and spare drum programming, creating an almost hypnotic backdrop for Ashworth’s lyrical narratives. And the lyrics themselves have found a new focus: dogs.\u003c\/p\u003e\n\u003cp\u003e“There was a while last year when a bunch of different friends of mine were having problems with their dogs,” said Ashworth, “and even though I don’t have a dog, suddenly I was giving all of this dog advice. I was just thinking and worrying about these friends and their dogs all of the time, and dogs just started showing up in my songs.\u003c\/p\u003e\n\u003cp\u003e“When you explain the relationship you have with a pet, it can sound crazy. We all tend to anthropomorphize the animals we love, talking about them as if they're children, siblings, even spouses,” said Ashworth. “I wrote these songs to help myself understand what pets mean to their owners, how those animal relationships affect our human relationships, and vice versa.”\u003c\/p\u003e\n\u003cp\u003eUnlike the previous Advance Base albums, which were made at home on Ashworth’s trusty 4-track tape machine, Animal Companionship was mostly recorded at Palmetto Studios in Los Angeles with Ashworth’s old friend and former Casiotone for the Painfully Alone collaborator Jason Quever. Animal Companionship still sounds like Ashworth, but Quever’s production adds more depth and clarity than you’ve ever heard from an Advance Base or Casiotone album. The album opener, “True Love Death Dream,” is full of warm synthesizer textures and lush drum machine tones, the kind that sink deep into your soul and take root there. It shows how much time and consideration Ashworth put into Animal Companionship, and how Quever knew exactly how to capture it. From the pedal steel atmospherics of “Dolores \u0026amp; Kimberly” to the densely layered oscillations of “Rabbits,” every movement beautifully frames each song’s narrative. Animal Companionship’s production is expansive but always deliberate, allowing Ashworth to speak volumes through subtle, emotional gestures.\u003c\/p\u003e\n\u003cp\u003eTaken as a whole, Animal Companionship is not just a step forward for Advance Base—it’s the culmination of everything Ashworth has been building for the past two decades. It’s a record that’s gentle in approach and endearing in practice, the kind of thing that only Ashworth could create.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. True Love Death Dream\u003cbr\u003e2. Dolores \u0026amp; Kimberly \u003cbr\u003e3. Your Dog\u003cbr\u003e4. 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Following last year’s sibling album Wishes to Fulfill, Pick Me Up is a more expansive output, patiently unfolding to reveal an exploratory side that brings new hues into the band’s vibrant sound.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHelmed by lead singer\/songwriter Michael Doherty and producer\/bassist Nick Sebastiano–along with signature contributions of multi-instrumentalist\/vocalist Alenni Davis, drummer Noah Dardaris, and longtime engineer\/co-producer\/confidante Scoops Dardaris–Pick Me Up, Turn Me Upside Down came to life over three years of intermittent writing and recording sessions that proved unexpectedly fruitful. The band decamped at Headroom Studios in Philadelphia, PA, as well as the same Ferndale, NY house where they made their debut LP, 2021’s New Music and Big Pop.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe songs on Pick Me Up, Turn Me Upside Down often take the knack for melody that defined Wishes To Fulfill and apply it to left turns like the hypnotic quasi-krautrock of “I’ve Come Around To That,” the sparse balladry of the title track, or the pulsating synth explorations of “The Diner’s Spoon.” The album’s world is weirder and more improvisational, like in the twisting ends of “Hub of Dreams” or the spontaneous performances of “Like I Won A Car”–but Doherty’s warm singing and conversational lyricism always keep things grounded.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn Pick Me Up, Turn Me Upside Down, the band didn’t set out to capture the all encompassing, existential value of music, but they did contribute to it–offering more songs to the world, and with them, chances to create one of those moments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. 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Another Michael exists for that moment: when a song transforms the setting of a long walk home, or when it speaks to a past experience while simultaneously making a new one, or when it taps into something universal by relating details so specific and personal that they could only be revealed in music. On their new LP \u003ci\u003eWishes To Fulfill,\u003c\/i\u003e the band set out to revel in their love of song, to create and pay tribute to that transcendent musical moment and create their finest work yet.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eWishes To Fulfill\u003c\/i\u003e is a lean 29 minute set of nine single-worthy tracks that are so timelessly hooky that they might fool you into thinking you’ve stumbled upon a greatest hits collection from some classic guitar pop band rather than the latest release from of the genre’s most exciting up-and-comers. Album highlights like “Angel,” “Baseball Player,” and “Water Pressure,” feel like Another Michael putting all of their songwriting craftsmanship to creating songs that will be stuck in your head after one chorus.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAnd throughout, vocalist Michael Doherty’s conversational lyricism matches the music’s unbridled creativity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAnother Michael’s adoration for music allows for the simple satisfaction of finding that solace, but it also\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003etaps into something deeper, something connective. “Music feels like a medium of communication,” says guitarist Nick Sebastiano, “It’s not a purposeful decision to talk about music in our songs but it just inherently means so much to us. If something makes your heart sing, the audience is going to hear it.” On \u003ci\u003eWishes To Fulfill\u003c\/i\u003e, the band didn’t set out to capture the all encompassing, existential value of music, but they did contribute to it–offering more songs to the world and with them chances to create one of \u003ci\u003ethose\u003c\/i\u003e moments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTracklist: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e1. Guitars \u003cbr\u003e2. Candle \u003cbr\u003e3. Angel \u003cbr\u003e4. Baseball Player \u003cbr\u003e5. Research\u003cbr\u003e6. Water Pressure \u003cbr\u003e7. Common Ground \u003cbr\u003e8. Wishes to Fulfill \u003cbr\u003e9. Piano Lessons\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePressing Information:\u003c\/strong\u003e\u003cbr\u003e100 Purple \u0026amp; Yellow Swirl (\u003ca href=\"https:\/\/runforcoverrecords.com\/products\/run-for-cover-magic-circle-vinyl-subscription?_pos=2\u0026amp;_sid=31bb6e8f6\u0026amp;_ss=r\"\u003eMagic Circle Vinyl Subscription Exclusive\u003c\/a\u003e)\u003cbr\u003e400 Cloudy Blue (Run For Cover Webstore Exclusive)\u003cbr\u003e1000 Yellow\u003c\/p\u003e","brand":"Another Michael","offers":[{"title":"LP - Cloudy Blue \/ 400","offer_id":53635894706548,"sku":"RUN2V260LPC2XXAX","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/am_ce6587cd-09e4-4ef2-9480-a7e159c08d44_1.jpg?v=1762458892"},{"product_id":"anxious-bambi","title":"Anxious - Bambi","description":"\u003cdiv id=\"afi-container\"\u003e\n\u003cp\u003eAnxious’ second album Bambi arrives this winter on Run For Cover Records. It’s been a whirlwind few years for the Fairfield, Connecticut five-piece – since the release of their debut album Little Green House, there’s been little time for anything other than consistent touring with bands like Bayside, Drug Church and The Wonder Years. Somewhere during that endless grind, vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album.\u003c\/p\u003e\n\u003cp\u003eBambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. Bambi is the sound of Anxious putting everything on the line–and coming out on the other side better than ever. \u003c\/p\u003e\n\u003cp\u003eInspired by “big swing” records like Blink-182’s self-titled or Jimmy Eat World’s Clarity, Anxious set out to redefine the band without losing sight of what made them work in the first place. Tracks like “Head \u0026amp; Spine,” “Sunder,” and “Tell Me Why” showcase the scope of Anxious’ evolution, tapping crunchy ‘90s rock guitarwork, layered ‘60s-esque harmonies, and crisp, modern production that captures the unrivaled energy of seeing the band play live.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Never Said\u003cbr\u003e2. Bambi’s Theme\u003cbr\u003e3. Some Girls\u003cbr\u003e4. Counting Sheep\u003cbr\u003e5. Audrey Go Again\u003cbr\u003e6. Head \u0026amp; Spine\u003cbr\u003e7. Tell Me Why\u003cbr\u003e8. Sunder\u003cbr\u003e9. Next Big Star\u003cbr\u003e10. Jacy\u003cbr\u003e11. I’ll Be Around\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Information:\u003c\/strong\u003e\u003cbr\u003e100 Yellow, White and Black Stripes(Magic Circle Exclusive)\u003cbr\u003e400 Clear with Blue, Yellow, Pink and Gold Splatter (RFC Exclusive)\u003cbr\u003e500 Bone White Inside Gold(Tour Exclusive)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e700 Pink \u0026amp; White Swirl\u003cbr\u003e3000 Yellow \u003cbr\u003e300 Clear Glitter (\u003ca href=\"https:\/\/devildogdistro.com\/products\/anxious-bambi-lp-devil-dog-exclusive\"\u003eDevil Dog Exclusive)\u003c\/a\u003e\u003cbr\u003e200 Black with Yellow Splatter (\u003ca href=\"https:\/\/revhq.com\/products\/anxious-bambi?_pos=1\u0026amp;amp;_sid=8711c239a\u0026amp;amp;_ss=r\"\u003eRevelation Exclusive\u003c\/a\u003e)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e February 21st, 2025\u003c\/p\u003e","brand":"Anxious","offers":[{"title":"LP - Clear with Blue Yellow Pink Gold Splatter \/ 400","offer_id":53558488498548,"sku":"RUN2V280LPC2XXAX","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"LP - Yellow \/ 3000","offer_id":53558488531316,"sku":"RUN2V280LPC4XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53558488564084,"sku":"RUNCD280CDXXXXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/RFC280-1500_b4a39ebd-f28f-465b-8e60-9ec5011aef88.jpg?v=1762458694"},{"product_id":"anxious-little-green-house","title":"Anxious - Little Green House","description":"\u003cdiv class=\"product_info\"\u003e\n\u003cdiv id=\"afi-container\"\u003e\n\u003cp\u003eSince the inception of Anxious in 2016, the band has always acted with purpose. 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Anthemic songs like lead single “In April” and guaranteed sing-along “Growing Up Song” thread the often difficult melodic-hardcore needle in a way that feels both nostalgic for the emo renaissance of yesteryear and precisely built for the current moment of genre defiant pioneering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Your One Way Street\u003cbr\u003e2. In April\u003cbr\u003e3. Growing Up Song\u003cbr\u003e4. More Than A Letter\u003cbr\u003e5. Wayne\u003cbr\u003e6. Speechless\u003cbr\u003e7. Let Me\u003cbr\u003e8. Call From You\u003cbr\u003e9. Afternoon\u003cbr\u003e10. 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On their new album, Seashell Angel Lucky Charm, the Australian duo of Simon Lam and Hamish Mitchell take you through a steady ascension into heavenly sonic realms. The band’s second proper release, and first for Run For Cover Records, Seashell Angel Lucky Charm taps onto the songwriters’ roots in experimental electronic roots and filters them through an indie rock lens, drawing the listener in close with crystal clear guitars, tight rhythms, warm harmonies, and sparse arrangements that leave room for character and eccentricities. The result is an album of inventively minimal music that does a lot with a little. \u003cbr\u003e \u003cbr\u003eFriends for 14 years, Lam (vocals and guitar) and Mitchell (guitar and keyboards) have been in their fair share of musical projects together and apart. The two met studying jazz at Monash University in Melbourne, eventually discovering a shared love of electronic music. After a handful of electronic and dance outlets (I’lls, Couture, Kllo) Armlock came together through the band’s natural camaraderie and comfort with collaboration, and the two began incorporating guitar into the music they were making for the first time. Capable of recording and engineering the whole project themselves, the pair never needed to be precious with studio time. Instead they preferred venturing down songwriting rabbit holes, chasing down a feeling and layering ideas at their home studios, unsure where a song would ultimately land. “There’s no real distinction between writing, demoing, and final production, it’s all done at the same time,” says Lam. “It’s a workflow that is much more common in electronic music and how we started making music together.”\u003c\/p\u003e\n\u003cp\u003eSeashell Angel Lucky Charm is the imaginative and sonically detailed result. The gentle vocals sit up front, often buoyed by fragile guitar lines and a simple but steady beat, and ample space is left for production flourishes like distant laughter, chopped up samples, and pitched squeals to ping around the listener’s ears. “We very much have a 'throw stuff at the wall and see what sticks' approach,” explains Lam. “We focus a lot on how an element sounds, rather than what an element is–if there's a guitar part that’s not quite working, rather than try a different guitar effect or amp sound, we're more likely to replace it with a keyboard, or a sample. A 'sound' is just as important as a 'part' to us, and I think that’s how a lot of electronic producers think.”\u003c\/p\u003e\n\u003cp\u003eEvery sound on Seashell Angel Lucky Charm feels precise and intentional, making the earcandy choruses on tracks like “Fear” and “El Oh Ve Ee'' feel like expertly placed moments of guitar pop bliss. These two songs show Armlock’s savvy with harmony as they use octaves of angelic sounds to stretch a simple one-word chorus until it soars with meaning. Throughout Seashell Angel Lucky Charm, guitar is used sparingly and thoughtfully–more like a tool in Armlock’s belt rather than the primary songwriting vessel. On “Godsend” an airy acoustic provides the sturdy foundation, ushering the groove forward with uncomplicated chord progressions and leaving the focus on Lam’s voice.\u003c\/p\u003e\n\u003cp\u003eArmlock’s sound at times recalls Pinback’s lean alternative, Alex G’s adventurous indie, or the wave of mysterious-yet-endearing genre-bending music coming out of the UK from label’s like Dean Blunt’s World Music or Vegyn’s PLZ Make It Ruins. Album opener “Ice Cold” provides a perfect entry point into Armlock’s world and their skill with coalescing disparate influences. One trap beat away from a Bladee track, the song begins with robotic voices reminiscent of Boards of Canada and evolves into the meditative warmth found in Adrianne Lenker’s more lo-fi work. There’s a subdued tenderness to Lam’s vocal delivery as he ponders the loss of a friendship and introduces the album’s fixation on air signs and higher dimensions.\u003c\/p\u003e\n\u003cp\u003eLyrically, Armlock’s music is often seeped with a very human desire to not only find guidance in the enormity of existence, but also to find something deeper in the mundane. “I was brought up Catholic, and I've definitely turned away from Christianity in my adult life but in recent years I've kind of missed that extra layer of meaning that religion adds to everyday life,” Lam says. “I've never written songs about that kind of thing, and it's definitely pretty abstract, but it’s interesting to write about something that isn't in my physical life but still feels like I'm talking about something 'real.’”\u003c\/p\u003e\n\u003cp\u003eAlbum highlight “Guardian” cuts to the heart of this theme with Lam looking “Somewhere up above” for “something or someone,” sifting through everyday life, trying to decide if the divine numbers he’s noticing on license plates are signs or happenstance. As guitar bends and piano rolls across the song’s structure until it fades into an airy soundscape where Lam yearns for a guardian through hushed vocals and chirping birds. “Ready for my essence to be found \/ ‘Cause I’m seeing their number all around \/ Guide me safe, lead me from harm \/ My seashell angel lucky charm.” Elsewhere these more esoteric ideas intersect with romantic longing, like on “El Oh Vee Ee” or “Godsend,” the former an upbeat earworm and the latter a richly produced cut of creative guitar pop.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Ice Cold\u003cbr\u003e2. Fear\u003cbr\u003e3. Guardian\u003cbr\u003e4. El Oh Vee Ee\u003cbr\u003e5. Seashell Angel Lucky Charm\u003cbr\u003e6. Godsend\u003cbr\u003e7. Fair\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePressing Info:\u003c\/strong\u003e\u003cbr\u003e100 Neon Pink in Clear (\u003ca href=\"https:\/\/runforcoverrecords.com\/products\/run-for-cover-magic-circle-vinyl-subscription\"\u003eMagic Circle Exclusive\u003c\/a\u003e)\u003cbr\u003e500 Seashell Splatter (RFC Exclusive)\u003cbr\u003e500 Coke Bottle Cloud\u003cbr\u003e500 Clear (Australia Exclusive)\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e July 12th, 2024\u003c\/p\u003e","brand":"Armlock","offers":[{"title":"LP - Clear with Seashell Splatter \/ 400","offer_id":53558489940340,"sku":"RUN2V271LPC2XXAX","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53558489973108,"sku":"RUNCD271CDXXXXAX","price":12.0,"currency_code":"GBP","in_stock":false},{"title":"LP - Coke Bottle Cloud \/ 500","offer_id":53876456817012,"sku":"RUN2VRFC271XXXAX","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/RFC271-1500_80339223-1029-480f-a417-7881b80e7a4b.jpg?v=1762458417"},{"product_id":"armlock-trust-colour-2-12","title":"Armlock - Trust","description":"\u003cdiv id=\"afi-container\"\u003e\n\u003cp class=\"p1\"\u003eArmlock’s debut album \u003ci\u003eTrust\u003c\/i\u003e made waves on its original release in 2021, offering a peek into the sonic landscape that the Australian duo of Simon Lam and Hamish Mitchell were building together. A collection of intimate, lush sounds that feel both hauntingly personal and infinitely deep, Trust’s seven songs are now available for worldwide release on Run For Cover Records.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArmlock’s music is immediately striking. Even before you press play, Trust’s haunting artwork - a flash photo closeup of an eyeball feels like it conveys the message of these songs perfectly: armlock is staring into your soul. Simon Lam’s vocals are errantly mumbled melodies, placed directly in front of you at the center of these electronic dispatches that border the lines of indie rock and electronic music. These songs feel expansive, emotional and considered in a way that make Alex G, Boards of Canada and Adrianne Lenker points of comparison.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFeaturing seven songs on the A-Side and an etched-back, Trust is a short but full collection of songs that lead perfectly into their 2024 follow-up Seashell Angel Lucky Charm, also available now on Run For Cover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. April\u003cbr\u003e2. Two Shots\u003cbr\u003e3. Turf War\u003cbr\u003e4. Jade\u003cbr\u003e5. Power of a Waterfall\u003cbr\u003e6. Tabs\u003cbr\u003e7. 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Just a year after the album’s release, it was already becoming clear that the group had no intention of staying there–whether that just meant their historic port town home of Ipswich in Suffolk, England; or the relative confines of the turn-of-the-century emo sound they’d already deftly mastered. The promising young band was setting their sights somewhere else as they prepared to make their landmark sophomore album, Colourmeinkindness. The record started to carry Basement to the brink of wider success, only to find the band announcing a hiatus months before it even came out–but a decade later the album’s clear influence, and Basement’s triumphant return, are proof of Colourmeinkindness’ era-defining impact.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBack in the summer of 2012, however, Basement found themselves on the west coast of America for the first time, beginning to record their hotly anticipated new album. But the band had arrived slightly unprepared; guitarist Ronan Crix claims the band only had half the songs written for the soon-to-be massive album. His bandmate and other guitarist, Alex Henery, claimed it was “the most chaotic process we have ever gone about writing a record.” Henery recalls that the band managed to “work as hard and as quickly” as they could to finish writing the other half of the album, including staying up until 4 a.m. their first night in the studio. But the hectic pace and intense focus paid off, resulting in an ambitious musical evolution that drew together the threads of modern punk and emo with past widescreen guitar rock to create something that felt urgent and new.\u003c\/p\u003e\n\u003cp\u003eColourmeinkindness found Basement pulling from not only one of emo’s zeniths–early Sunny Day Real Estate–but also channeling heavy and sometimes hazy ‘90s alt-rock, with hints of behemoths like Pixies, Silverchair, and Catherine Wheel shaping the sound. Vocalist Andrew Fisher fit that grunge mold of a maudlin-but-thoughtful protagonist, ruminating on toxic relationships, personal desolation, and desperate longing, with slivers of optimism occasionally peeking through. From the dynamic one-two punch of churning opener “Whole” into the balladic doom of “Covet”, to the sneering grunge of “Black” and gentle ease of “Comfort”, Basement effortlessly moved between sounds and styles while keeping the underlying energy of their roots in punk and hardcore.\u003c\/p\u003e\n\u003cp\u003eUpon its release, Colourmeinkindness quickly won over fans old and new, but the members of Basement had already committed themselves to exploring other avenues in their lives and after a few impressive record release shows, the group went on hiatus. When they eventually returned the ripples of Colourmeinkindness were already clear: A thriving scene had begun to crop up around Basement’s like-minded peers. Bands such as Balance and Composure, Superheaven, and Title Fight were reviving alt-rock radio for the YouTube generation and moving from being VFW staples to playing sizable venues. Post-hardcore, shoegaze, and grunge were becoming prevalent influences amongst new punk and emo bands. Newer acts were forming with a nod very much towards that ‘90s rock\/emo crossover sound that Colourmeinkindess had captured so astonishingly well.\u003c\/p\u003e\n\u003cp\u003eWith Colourmeinkindess Basement had begun to signal a sea change that would shape the next decade of big-room guitar music in a major way. Now the album’s 10th anniversary expanded reissue offers a chance to rediscover the record along with new material. The release includes alternate versions and stripped-back arrangements of many of the album’s tracks, recalling the iconic MTV Unplugged’s from the likes of Oasis or Nirvana. 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It’s an unabashed love letter to decades of guitar music that manages to sound fresh, it’s got Americana sway and Brit rock swagger. It’s an album preoccupied with the state of the world that never strays from the realm of personal; it explores the pull of extremes in an effort to find balance;and it doesn’t surrender to nihilism nor pander to hopefulness. It’s Berryland, and it rocks.\u003c\/p\u003e\n\u003cp\u003eMatt Berry, vocalist, multi-instrumentalist, and overall mastermind of The Berries, first began to turn heads with his work in louder bands in the west coast underground music scene (Big Bite, Happy Diving), but his true love has always been unfiltered melody. “I’ve always been attracted to pop sensibilities and I was interested in making music that leaned more towards that instead of volume and distortion,” he explains. After a handful of demos, The Berries’ released their 2018 debut LP Start All Over Again, which documented a miserable Seattle winter and Berry’s impressive ability to organically wear his influences on his sleeve. As he began working on a follow up, he found himself becoming more and more at ease in forging those inspirations within his own unique sonic identity.\u003c\/p\u003e\n\u003cp\u003eThat assured sense of identity is unmistakable on Berryland. After tracking drums with Trevor Spencer at his studio outside Seattle, Way Out, Berry began the in-depth process of recording nearly every other instrument on the album in his own home. “Every day I wake up and if I’m not working, I'm in my cave for eight hours makng music, so I was very used to spending days just working on a song,” he recalls. The extra time spent tinkering and experimenting can be heard in Berryland’s vast array of guitar tones, psychedelic flourishes, and layered vocal harmonies. Traces of Berry’s punk roots remain in the occasional noisy guitar squall, which meets the jangle and twang with surprising cohesion. Driving all the guitars is Berryland’s secret weapon: its attention to rhythm. The sense of groove and occasional electronic percussion are subtle but key elements of the album’s pulse, often inspired by Berry’s love of the 1990s intersection of rock and danceable beats.\u003c\/p\u003e\n\u003cp\u003eAll this musical freedom supports Berry’s chief lyrical concerns: a desire for autonomy in the face of all the structures we create for some semblance of solid ground in an increasingly unstable world. “Everything I think about is on this spectrum,” he explains. “Independent or dependent, creating rules for yourself and relying on them, or allowing yourself that personal freedom. It’s really hard for me to not go insanely in one direction or another, and a lot of the record is trying to find that balance.” Opening track “Makes Me Sick” sets up this dichotomy, with Berry leaning into his more nihilistic side overtop a thumping bass line and hallucinatory beat that recalls the many works of J. Spaceman. “Lowest Form Of Life” follows with a gently melancholy guitar lick and Berry lamenting the eagerness some have to put their heads in the sand and avoid the harsh realities of our modern world. Tracks like “Fruit” or “Passing Scene” are unconventional heartbreak songs that feature slide guitar and some of Berry’s finest vocal harmonies -- a lilting respite before the full-on boogie of “Feral Eyes”\u003c\/p\u003e\n\u003cp\u003e“D.Y.W.I.B.” kicks of the B-side with Berry conjuring a cosmic singalong by way of Primal Scream and Neil Young, while elsewhere “Pedestal” jumps between alt-country strut and dirge. The back and forth between guitar bravado and somber songwriting on Berryland often mirror’s the shaky internal battle between the more self-absorbed and altruistic sides of human nature in Berry’s lyrics. “Hell On The Speedway” and closing track “Heavy Rain” offer a more optimistic spin on the fatalism of earlier songs. “All you can really do is try to keep going,” Berry says, “You have to keep pushing whatever ethos you believe in and try to make the best of it.” This a quiet sentiment might seem out of place in our complex world, but in Berryland, it sounds about right.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Makes Me Sick\u003cbr\u003e2. Lowest Form of Life\u003cbr\u003e3. Fruit\u003cbr\u003e4. Passing Scene\u003cbr\u003e5. Feral Eyes\u003cbr\u003e6. D.Y.W.I.B.\u003cbr\u003e7. Hell On The Speedway\u003cbr\u003e8. Along The Water\u003cbr\u003e9. Pedestal\u003cbr\u003e10. 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It is a modern country-rock record by Matt Berry, under his pseudonym The Berries. It is made up of songs of love and hate, songs under the spell of Neil Young and Townes Van Zandt, and songs carved out of the disappointment of a morose Seattle winter.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor those paying close attention to the West Coast’s underground rock scene, Berry perhaps needs little introduction. He has already created a name for himself as the prolific mind behind such treasures as the lushly blown out Happy Diving (Father\/Daughter Records) and the tautly psychedelic, Wipers-esque Big Bite (Pop Wig). On Start All Over Again, however, Berry replaces the relentless pace and anxious stylings of his shapeshifting past with a new frame of mind, one derived from excessive reclusion and aimed at indulgent self-awareness, expansion, and a deep fascination with Americana. Besides a single guitar track contributed on the song “Turn It Away” by Charlie Hoffman (of Help Yourself Records label-mates Advertisement), Berry performed and recorded the entirety of Start All Over Again by himself, laboring away over a series of sessions that consumed most of the second half of 2017.\u003c\/p\u003e\n\u003cp\u003eOn opener “Salvation,” Berry reminds us that love is the ruler and ultimate power of the universe. Against a backdrop of warm drums and sweeping country licks that twist beyond themselves, he challenges the modern urge to whitewash art with banal cynicism and self-righteous abstraction. “Security Blues” glows with a similar sense of conviction, turning its gaze toward the grim conditions of urban living. Berry laments the world around him turning into an ugly, gentrified, and tasteless playground for tech-elites. The track “Live To Please” burns like a strung-out fire raging in the most heavenly of houses. 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What follows the lead single are a collection of songs that anchor on the cycles of life, loss and growth through resilience and those moments of finding and being yourself. Throughout the nine songs on How To Socialise \u0026amp; Make Friends it becomes clear that if their debut was the flame, this is Camp Cope rising from the ashes, stronger and more focused than ever.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. The Opener\u003c\/div\u003e\n\u003cdiv\u003e2. How to Socialise \u0026amp; Make Friends\u003c\/div\u003e\n\u003cdiv\u003e3. The Face of God\u003c\/div\u003e\n\u003cdiv\u003e4. Anna\u003c\/div\u003e\n\u003cdiv\u003e5. Sagan-Indiana\u003c\/div\u003e\n\u003cdiv\u003e6. The Omen\u003cbr\u003e7. Animal \u0026amp; Real\u003cbr\u003e8. UFO Lighter\u003c\/div\u003e\n\u003cdiv\u003e9. 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The third LP from Melbourne trio Georgia Maq, Kelly-Dawn Hellmrich and Sarah Thompson is about what happens after chaos hits; when you’ve walked through the fire and come out stronger, calmer and happier than ever before.\u003c\/p\u003e\n\u003cp\u003eThe band’s last album, 2018’s How To Socialise And Make Friends, put Camp Cope under an intense spotlight. That release allowed the trio to say what they needed to but both professionally and in their personal lives, they’re in a very different place this time around. On Running With The Hurricane, Maq (songwriter, vocals, piano, acoustic \u0026amp; electric guitar), Hellmrich (bass guitar) and Thompson (drums) are older, wiser and happier. It’s an album that is gentler than what they have done before, more positive and more at peace with the universe. Because as Georgia Maq sings on the album’s title track, sometimes “The only way out is up”.\u003c\/p\u003e\n\u003cp\u003eWhile the Big Stuff of this album is all about growth, over- coming and pushing through the pain, the little details are still quintessentially Camp Cope. Running With The Hurricane reflects on faltered romances, secret crushes and vibrating with the confidence that makes you feel like you’re on fire. It’s about taking comfort in knowing who you are, feeling yourself and returning, always, to the city of Melbourne.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Caroline\u003cbr\u003e2. Running with the Hurricane\u003cbr\u003e3. One Wink At a Time\u003cbr\u003e4. Blue\u003cbr\u003e5. The Screaming Planet\u003cbr\u003e6. Love Like You Do\u003cbr\u003e7. Jealous\u003cbr\u003e8. The Mountain\u003cbr\u003e9. Say the Line\u003cbr\u003e10. 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This stunning display of gritty punk and gut wrenching storytelling sees CWS stepping into place their alongside contemporaries The Menzingers and Tigers Jaw while challenging boundaries set forth by genre greats like Against Me! and Alkaline Trio.\u003c\/p\u003e\n\u003cp\u003eEvery aspect of The Future Is Cancelled is rife with a frazzled desperation, each element trying to make sense of a modern existence. Pensive, but emotional and always meandering, the vocals spin half-yelled melodies around half-broken characters. Buzzing and jangly guitars, pounding bass and dynamic drums guide the journey perfectly - at times controlled and at others completely reckless.\u003c\/p\u003e\n\u003cp\u003eOn The Future Is Cancelled, Captain, We're Sinking offer no answers and make no promises. 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It sent a lightning bolt through everybody that worked on it. We're ready to go.”\u003c\/p\u003e\n\u003cp\u003eAcross 11 tracks, Calling The Dogs explores a range of moods, styles and themes with each song as memorable as the last. The album’s first single, “If You’re Lonely,” is the kind of upbeat singalong anthem fans should expect to belt out at shows for years to come. Tracks like “Hyper Trophy” and “Can’t Take It Slow” show that Citizen can still put out unforgettable melodies over dance-worthy rhythms, while others (like “When I Let You Down”) lean more into timeless classics bordering on garage rock. As a whole, it’s as intense and energetic of an experience as the band has ever released.\u003c\/p\u003e\n\u003cp\u003e“I really wanted to hone in on how it would feel to play the songs live while writing Calling The Dogs,” Kerekes says. “The songs on the last record are so much fun to play live, I wanted to make sure that this one would still invoke the same kind of emotion and crowd reaction. I kept asking myself ‘Will this be exciting to see live? How will the energy be?’ more than I ever have before.”\u003c\/p\u003e\n\u003cp\u003eWith all that said, the album is one of self reflection, as well as one that exercises personal demons for the members. The band’s overall willingness to confront themes that they’ve alluded to on past records – combating self-doubt, surviving and escaping familial toxicity, the development of self-awareness, and personal healing is one of the factors that makes Calling The Dogs their most poignant and cohesive body of work yet.\u003c\/p\u003e\n\u003cp\u003eNever one to wait too long between albums, Calling The Dogs comes on the heels of 2021’s Life in Your Glass World, an album that (despite finishing recording in early 2020) spoke particularly acutely to millions during the pandemic and helped elevate Citizen to new heights. Combined with this summer’s sold-out celebrations (aka shows) for a decade of their debut, Youth, everyone involved is absolutely ready to explore what the next act holds.\u003c\/p\u003e\n\u003cp\u003eThat’s why Citizen sees Calling The Dogs as an incredible rebirth. They’re fully hitting their stride as the leaders of the post-COVID rock resurgence, and they’re in the uncommon place of being able to look back at their success and ahead at what’s to come at the same time. Citizen has the experience and wisdom of a longstanding act alongside the energy and hunger of a young band on the rise, as evidenced by the fact that most artists don’t get to go on an anniversary tour for their breakthrough album while still under the age of 30.\u003c\/p\u003e\n\u003cp\u003e“We’ve been playing in bands together since we were like 10 or 11 years old, so we have a system that I don’t think anyone else would really understand,” Kerekes says. “There were definitely some tensions in the studio when we were younger, because everyone wants to be right and nobody wants to see their ideas thrown out. But now, the three of us know exactly what to do and nobody’s feelings get hurt, so it really makes Citizen a well-oiled machine.”\u003c\/p\u003e\n\u003cp\u003e“The spirit of Citizen is just turning everything we do up to 11 and elevating it creatively as much as possible — and it feels like we can really come out guns blazing now,” Hamm says. “Every Citizen album explores different avenues we want to explore, and I think they always will. Calling The Dogs is the closest we’ve sounded to what I hear Citizen sounding like in my head, but that’s not a stopping point. It aligns with everything we want to do and everything we want to say right now, but that’s always evolving.”\u003c\/p\u003e\n\u003cp\u003eDespite adding two new voices to the creative process this time around, Kerekes and the Hamms are so comfortable with each other that they’re well beyond any ego battles or other flare-ups and truly reaching new heights as both writers and performers. The three founding members have been playing music together for over half of their lives at this point, creating a “magic” bond that can’t be replicated and allowing Citizen to fully commit to everything they want to do.\u003c\/p\u003e\n\u003cp\u003eWith the ability to excel in both quiet ballads and distorted rock anthems, Citizen (which recently expanded to a full quintet with the addition of former touring members drummer Ben Russin and guitarist Mason Mercer) has an incredible knack for channeling raw emotion into singalong songs. On Calling The Dogs, the band exemplifies that passionate songwriting and styling while stripping back to what they do best: guitar-driven rock ‘n roll.\u003c\/p\u003e\n\u003cp\u003ePicking up labels ranging from post-hardcore to shoegaze over the years, it’s reductive to try to categorize Citizen as anything other than one of the best rock bands around today. Evolving from teenagers playing local dives to a vibrant band capable of selling out theaters and hitting major festivals around the world, vocalist Mat Kerekes, guitarist Nick Hamm, bassist Eric Hamm, guitarist Mason Mercer, and drummer Ben Russin have earned their reputation as both tremendous songwriters and a must-see live act — and they do both better than ever on their new album, Calling The Dogs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003cbr\u003e1. Headtrip\u003cbr\u003e2. Can’t Take It Slow\u003cbr\u003e3. Hyper Trophy\u003cbr\u003e4. If You’re Lonely\u003cbr\u003e5. Lay Low\u003cbr\u003e6. Needs Side\u003cbr\u003e7. Bad Company\u003cbr\u003e8. Dogs\u003cbr\u003e9. When I Let You Down\u003cbr\u003e10. Options\u003cbr\u003e11. Takes One to Know One\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePressing Information:\u003cbr\u003e\u003c\/strong\u003e100 Pink, Teal \u0026amp; Brown Swirl Vinyl \u003ca title=\"Run For Cover Magic Circle Vinyl Subscription\" href=\"https:\/\/runforcoverrecords.com\/products\/run-for-cover-magic-circle-vinyl-subscription?selling_plan=8075641114\u0026amp;variant=45271639720218\"\u003e(Magic Circle Exclusive)\u003c\/a\u003e\u003cbr\u003e900 Clear with Red Teal \u0026amp; Blue Splatter Vinyl \/ 900 (RFC Exclusive)\u003cbr\u003e\u003cspan\u003e1000 Black Smoke Vinyl (Citizen Tour Exclusive)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e500 White \u0026amp; Yellow Twister Vinyl (\u003ca href=\"https:\/\/www.newburycomics.com\/products\/calling-the-dogs-exclusive-lp-autographed\"\u003eNewbury Comics Exclusive\u003c\/a\u003e)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e400 Blue \u0026amp; Red Swirl (\u003ca href=\"https:\/\/shop.brooklynvegan.com\/collections\/citizen\"\u003eBrooklynVegan Exclusive\u003c\/a\u003e)\u003cbr\u003e300 Cloudy Teal Vinyl (\u003ca href=\"https:\/\/www.vinylmeplease.com\/products\/citizen-calling-the-dogs\"\u003eVinyl Me, Please Exclusive\u003c\/a\u003e)\u003cbr\u003e300 Blue \u0026amp; Yellow Halves (\u003ca href=\"https:\/\/www.ziarecords.com\/p\/14594997\/citizen-calling-the-dogs-zia-exclusive-blue-yellow-vinyl-limited-to-300\"\u003eZia Records Exclusive\u003c\/a\u003e)\u003cbr\u003e300 Pink \u0026amp; Orange Galaxy Swirl (\u003ca href=\"https:\/\/www.urbanoutfitters.com\/shop\/citizen-calling-the-dogs-limited-lp?color=000\u0026amp;type=REGULAR\u0026amp;size=ONE%20SIZE\u0026amp;quantity=1\"\u003eUrban Outfitters Exclusive\u003c\/a\u003e)\u003c\/span\u003e\u003cbr\u003e6200 Brown Vinyl (\u003ca href=\"https:\/\/recordstoreday.com\/UPC\/810097914704\"\u003echeck your local record store here\u003c\/a\u003e)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003eOctober 6th, 2023\u003c\/p\u003e","brand":"Citizen","offers":[{"title":"LP - Brown \/ 6200","offer_id":53558494724468,"sku":"RUN2V264LPC4XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53558494757236,"sku":"RUNCD264CDXXXXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/RFC264-1500-store.jpg?v=1762457040"},{"product_id":"citizen-everybody-is-going-to-heaven","title":"Citizen - Everybody is Going to Heaven","description":"\u003cdiv class=\"product_info\"\u003e\n\u003cp class=\"p1\"\u003eAlmost two years to the date of the release of their breakthrough album,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCitizen\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ereturn with their highly anticipated follow-up full-length,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEverybody is Going to Heaven\u003c\/i\u003e. Haunting these ten songs is a foreboding, dark atmosphere masterfully crafted by producer Will Yip, and an immediate, intense energy is palpable from even the first grimy seconds of the opener, “Cement.” As with every one of Citizen’s releases, Mat Kerekes’ signature vocal delivery here is a trademark feature, demonstrating the emotional tension that boils over on this release. As cathartic as ever, he duels between a soft croon and a haunting scream, confronting his demons on tracks like “Stain” echoing the tormented refrain, “my heart still beats for nothing”. And while most of the record is an intense and noisy onslaught, songs like “Heaviside” and “Yellow Love” act as armistices, each aching in reverb-drenched consonance. Everybody is Going to Heaven is a turning point for Citizen: once regarded as newcomers with undeniable potential, the band shows here that they have matured both abruptly and uniquely, with no end to their upward trajectory in sight.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Cement\u003cbr\u003e2. Dive Into My Sun\u003cbr\u003e3. Numb Yourself\u003cbr\u003e4. Heaviside\u003cbr\u003e5. My Favorite Color\u003cbr\u003e6.  Weave Me (Into Yr Sin)\u003cbr\u003e7. Stain\u003cbr\u003e8. Ten\u003cbr\u003e9. Yellow Love\u003cbr\u003e10. Ring of Chain\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003cstrong\u003ePressing Information:\u003c\/strong\u003e\u003cbr\u003eFirst Press:\u003cbr\u003e500 Deep Purple A-Side\/Beer B-Side with Black Splatter\u003cbr\u003e1200 Oxblood A-Side \/ Gold B-Side\u003cbr\u003e1300 Gold \/ Black Color in Color (Hot Topic Exclusive Color)\u003cbr\u003e2000 Baby Blue\/ Aqua Blue with cyan splatter\u003cbr\u003e2000 Bone\u003cbr\u003e\u003cbr\u003eSecond Press:\u003cbr\u003e3000 Silver \/ Cream \/ Baby Blue Tri-Color\u003cbr\u003e\u003cbr\u003eThird Press:\u003cbr\u003e2000 Half Orange \/ Half Bone\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFourth Press:\u003cbr\u003e2000 Eco Mix\u003c\/p\u003e","brand":"Citizen","offers":[{"title":"LP - Baby Blue\/ Aqua Blue with Cyan Splatter \/ 2000","offer_id":53558495281524,"sku":"RUN2V131LPC0XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Bone and Halloween Orange \/ 2000","offer_id":53558495314292,"sku":"RUN2V131LPC1XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Eco Mix \/ 2000","offer_id":53558495347060,"sku":"RUN2V131LPC4XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53558495379828,"sku":"RUNCD131CDXXXXAX","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"CASSETTE","offer_id":53558495412596,"sku":"RUNCT131CTC1XXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/RFC131-1500_3d62ef19-8603-4e52-a436-576f708ae5ba.jpg?v=1762456705"},{"product_id":"citizen-everybody-is-going-to-heaven-10-year-anniversary-editon","title":"Citizen - Everybody is Going to Heaven (10 Year Anniversary Editon)","description":"\u003cdiv class=\"product_info\"\u003e\n\u003cdiv id=\"afi-container\"\u003e\n\u003cp\u003eTen years ago, Citizen released Everybody Is Going to Heaven — a record that marked a bold turning point in their career. Following the breakout success of Youth, the band could have stayed the course. Instead, they doubled down on darker textures, heavier moods, and a fearless sense of experimentation.\u003c\/p\u003e\n\u003cp\u003eReleased in 2015, Everybody Is Going to Heaven expanded Citizen’s sound beyond their emo and post-hardcore roots, weaving in elements of grunge, and alternative rock. Tracks like “Cement” and “Stain” captured a raw, unsettled energy that explored mortality, depression, and identity with an honesty that still resonates today. It wasn’t a record built for easy listens — it was built to last.\u003c\/p\u003e\n\u003cp\u003eNow, a decade later, Everybody Is Going to Heaven stands as a defining moment in Citizen’s evolution — a record that challenged both the band and their audience, and helped shape the fearless, genre-blurring artists they’ve become. As they celebrate its 10th anniversary, Citizen remains a band deeply committed to growth, refusing to be tied to a single sound or era. Everybody Is Going to Heaven didn’t just mark where they were; it lit the way for everything that came next.\u003c\/p\u003e\n\u003cp\u003eThis 10 Year Anniversary Edition features new, gatefold packaging with updated photos, lyrics and liner notes. Disc one includes the original album in full and the brand new second disc features rare b-side “Nail In Your Hand,” a re-done version of “Heaviside” with artist Wisp performing vocals on the song, and seven never-before heard demo versions of songs from Citizen’s second album.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cem\u003eLP 1\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e1. Cement    \u003cbr\u003e2. Dive Into My Sun    \u003cbr\u003e3. Numb Yourself    \u003cbr\u003e4. Heaviside    \u003cbr\u003e5. My Favorite Color    \u003cbr\u003e6. Weave Me (Into Yr Sin)    \u003cbr\u003e7. Stain    \u003cbr\u003e8. Ten    \u003cbr\u003e9. Yellow Love    \u003cbr\u003e10. Ring of Chain \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003eLP 2\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e1. Nail in Your Hand    \u003cbr\u003e2. Heaviside (Wisp Version)    \u003cbr\u003e3. Cement\u003cmeta charset=\"utf-8\"\u003e (Demo)\u003cbr\u003e4. Dive Into My Sun\u003cmeta charset=\"utf-8\"\u003e (Demo)\u003cbr\u003e5. Numb Yourself\u003cmeta charset=\"utf-8\"\u003e (Demo)\u003cbr\u003e6. Heaviside\u003cmeta charset=\"utf-8\"\u003e (Demo)\u003cbr\u003e7. My Favorite Color\u003cmeta charset=\"utf-8\"\u003e (Demo)\u003cbr\u003e8. Yellow Love\u003cmeta charset=\"utf-8\"\u003e (Demo)\u003cbr\u003e9. Ring of Chain\u003cmeta charset=\"utf-8\"\u003e (Demo)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAnniversary Edition Pressing Info:\u003c\/strong\u003e\u003cbr\u003e500 Glow in the Dark Splatter (RFC Exclusive)\u003cbr\u003e1500 Heaviside Swirl\u003cbr\u003e1000 Yellow Love (Citizen Exclusive)\u003cbr\u003e1500 Cloudy Gold \u003cbr\u003e250 Bloodshot Red (BrooklynVegan Exclusive)\u003cbr\u003e250 Reflection Green (Zia Exclusive)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAnniversary Edition Release Date:\u003c\/strong\u003e October 10th, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Citizen","offers":[{"title":"2xLP - Glow in the Dark Splatter \/ 500","offer_id":53558495543668,"sku":"RUN2L131DLXC1XAX","price":32.0,"currency_code":"GBP","in_stock":true},{"title":"2xLP - Heaviside Swirl \/ 1500","offer_id":53558495576436,"sku":"RUN2L131DLXC2XAX","price":32.0,"currency_code":"GBP","in_stock":true},{"title":"2xLP - Cloudy Gold","offer_id":53938006950260,"sku":"RUN2VRFC131DLXAX","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/RFC131-1500_b879ea4a-e511-47e9-8174-1416dd7b0ad1.jpg?v=1762456660"},{"product_id":"citizen-life-in-your-glass-world","title":"Citizen - Life In Your Glass World","description":"\u003cdiv id=\"afi-container\"\u003e\n\u003cp class=\"p1\"\u003eCitizen have always eluded definition. The Toledo, Ohio-based four-piece have been making dynamic, wide-ranging guitar music for over ten years, challenging expecta-tions with each new album and refusing to fit neatly in a box. On their fourth full-length, Life In Your Glass World, Citizen have crafted their most singular work to date completely on their own terms—proving that only the band themselves can define their identity.\u003c\/p\u003e\n\u003cp\u003eThis definition meant taking the entire process home to Toledo, Ohio – the Glass City – and creating everything in-house. Recorded in vocalist Mat Kerekes’ home studio in his garage, Citizen’s need to continue moving forward creatively went hand in hand with their desire to be fully in control of their creative destiny. The new process afforded the band time to focus on each song’s individual mood, mak-ing their sig-nature blend of aggression and melody all the more pronounced, and even capturing appealing imperfections. The result is an album that represents the members’ vision in its purest form, something that feels distinctly Citizen while also marking the start of a fresh chapter.\u003c\/p\u003e\n\u003cp\u003eOne of the most immediately striking elements of the direction on Life In Your Glass World is the band’s attention to rhythm. Many of the songs feature undenia-bly danceable beats and sharp, groove-laden guitar lines, which give both the barn-burners and the brooding atmospheric tracks a pulsating heart. The band’s desire to assert themselves is palpable both in the music and Kerekes’ lyrics, mirroring not only their creative frustrations but also a long year of personal upheavals. It’s fitting for Life In Your Glass World, a record that proves Citizen’s true identity is rooted in the raw energy of constant evolution.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Death Dance Aproximately\u003cbr\u003e2. I Want To Kill You\u003cbr\u003e3. Blue Sunday \u003cbr\u003e4. Thin Air\u003cbr\u003e5. Call Your Bluff\u003cbr\u003e6. Pedestal \u003cbr\u003e7. Fight Beat\u003cbr\u003e8. Black and Red\u003cbr\u003e9. Glass World\u003cbr\u003e10. Winter Buds\u003cbr\u003e11. 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This updated version of Citizen’s first record pays homage to a landmark record for the band and re-contextualizes it alongside their ever-growing catalog.\u003c\/p\u003e\n\u003cp\u003eTo celebrate 10 years of YOUTH, Citizen and Run For Cover Records have teamed up to completely update the band’s debut LP. Since it’s initial release in 2013, the songs that make up Youth’s tracklist have been staples in mixtapes, playlists and record collections for listeners chasing what felt like a long-lost feeling in alternative music. YOUTH takes notes from the headbanging tempo of grunge, the hazy reverb of shoegaze, and the catharsis of emo together to make something deeply personal and profound. Songs like opener “Roam the Room” and the anthemic sing-a-long “The Summer” have been soundtracked a thousand stagedives at live shows, while pensive and moody songs like “Figure You Out” and “Sleep” offer brief, downtempo respites with blissful melodies. 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Save for touring with the likes of Modern Baseball, Somos \u0026amp; Laura Stevenson over distant lands, the New York-based triumvirate has left a shroud of mystery as to when \u0026amp; how they will return. That being said, our heroes have returned to us with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBeyond the Fleeting Gales\u003c\/i\u003e, an album to heal our broken nation \u0026amp; realms beyond. The new album can best be described as Crying: Evolved - whether powered by the moon or crystals that a wizard found at a punk house or the sincere, unrelenting power of rock, Crying’s former formula of mixing motown melodies with outsider electronics \u0026amp; prog rock riffage is supercharged on this ten song monster of an album. 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But there’s nothing comfortable about Devourer, the explosive new album from Cursive. The iconic Omaha group is known for their intensity, ambition, and execution, and has spent 30 years creating a bold discography that’s defined as much by its cathartic sound as its weighty, challenging lyrical themes. And Devourer is as daring as ever. Full of intense and incisive songs, the album proves exactly why Cursive have been so influential and enduring–and why they remain so vital today. \u003c\/p\u003e\n\u003cp\u003eIn the years since their 1995 formation, Cursive developed into one of the most important groups to emerge from the late-’90s\/early ‘00s moment when the lines between indie rock and post-hardcore began blurring into something altogether new. Albums like Domestica (2000) and The Ugly Organ (2003) became essential touchstones whose echoes can still be heard in new bands today. The pull of nostalgia can be strong over time, but Cursive’s work has often felt like a rejection of those comfort zones; the band has continually pushed themselves, with frontman Tim Kasher’s artistic restlessness steering them ahead. In fact, for Kasher, whose pointed observations always begin with looking inward first, it was an interrogation of this voracious creativity that planted the seeds of Devourer.  \u003c\/p\u003e\n\u003cp\u003e“I am obsessive about consuming the arts,” he explains. “Music, film, literature. I’ve come to recognize that I devour all of these art forms then, in turn, create my own versions of these things and spew them out onto the world. It’s positive; you’re part of an ecosystem. But I quickly recognized that the term, ‘Devourer,’ may also embody something gnarly, sinister.” Devourer delves into that darker space. The characters populating the album have bottomless capacities for consumption, whether it’s resources, material goods, art, or even each other. Then they are consumed by larger forces, whether it’s humanity, Earth, dreams, time, or life itself. “Maybe a better word for it is imperialism,” Kasher says. “But it’s in many different forms. It’s not just the political. It’s personal imperialism and the imperialism of relationships, the way we imperialize one another, even ourselves.”\u003c\/p\u003e\n\u003cp\u003eFans have come to expect such heady topics from Cursive, but Devourer sets a new standard. The glibness of the First World toward the problems of others. The eternal struggle to stay on the straight and narrow. The eager acolytes exploited by their leaders. How anxiety can compound with age. How self-expression can warp into self-indulgence. Beginning with “Botch Job,” a propulsive banger shaking with anxiety and regret, the album seldom relents. Songs like “The Avalanche of Our Demise,” “What The Fuck,” “Bloodbather,” “Consumers,” and “The Age of Impotence” hit hard, hooking listeners with the unique blend of deep melody and discordant sounds Cursive does so well. Even as songs like “Up and Away,” “Imposturing,” and “Dead End Days” lean more into a poppier sound–or “Dark Star” and “The Loss” tone down the intensity–the album’s underlying disquiet remains. But as always, Cursive is here to wail, not wallow. As Kasher sings in “Bloodbather,” “Life’s an abscess or apple pie \/ So shut those demons up \/ And devour your slice.” \u003c\/p\u003e\n\u003cp\u003eDevourer being filled to the brim thematically and musically is unsurprising considering Kasher wrote an astounding 69 compositions after songwriting began in the fall of 2020. About 20 made it to the practice space, with a curated 13 ending up on the final album. Wrangling it all at Omaha’s ARC Studios was Marc Jacob Hudson, who co-produced the album with the band after running live sound on Cursive’s recent tours. Hudson’s lengthy discography includes working with Against Me!, Thursday, and Fireworks, among others, but the musical touchstones he shares with Cursive sealed the deal. “We just got along well and had this kind of shared music history that I found so comforting,” Kasher says. “We were introduced to music in similar ways and, being the same age, share a musical knowledge. It was just so fun and refreshing.”\u003c\/p\u003e\n\u003cp\u003eNow seven members strong (“We seem to be collecting band members over the years,” Kasher jokes), Cursive had a large musical toolbox to use on Devourer. Beyond the core trio of singer\/guitarist Kasher, bassist Matt Maginn, and guitarist\/vocalist Ted Stevens, there’s keyboardist and multi-instrumentalist Patrick Newbery, cellist Megan Siebe, recording\/touring drummer Pat Oakes, and founding drummer Clint Schnase (the two trade drumming duties across Devourer, but join forces for a two-pronged percussive force in “Rookie”). \u003c\/p\u003e\n\u003cp\u003eCursive had self-released their two previous albums on their label, 15 Passenger, and initially planned to release Devourer the same way–but ultimately decided to put out some feelers as well. “We got interest and it made it all feel like, ‘Yeah, we should do this,’” Kasher recalls. The group arrived on Run for Cover Records, who were excited to work with a band who has such a deep discography and storied history; it’s a fitting home for Cursive, with new labelmates like Fiddlehead, Citizen, Teen Suicide, and Self Defense Family that share a same DNA of emotionally and sonically biting music. “It really is the first time that we've gone off to another label since we started in 1995, when we signed to Crank! Records,” Kasher says. “So there's a certain excitement to that. It’s no longer the excitement of, ‘We just got signed! I wonder what's going to happen with this record?!’ It’s more like we’re doing something different–nothing feels rote.” Maginn adds, “More than most bands, our labels have been part of our history. We did it ourselves for years with 15 Passenger, so it’s a big deal to us to take on and trust new partners.”\u003cbr\u003e \u003cbr\u003eWhile Cursive’s music hasn’t gotten any more comfortable, perhaps its being released into a world that’s at least a little more shaped in their image. Devourer sounds urgent and fresh, the work of a band still experimenting, still hungering to find new creative heights. On album highlight “Consumers,” the protagonist bemoans, “I saw our future and I want to go back.” But Cursive are only moving forward. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Botch Job\u003cbr\u003e2. Up And Away\u003cbr\u003e3. The Avalanche Of Our Demise\u003cbr\u003e4. Imposturing\u003cbr\u003e5. Rookie\u003cbr\u003e6. Dead End Days\u003cbr\u003e7. WTF\u003cbr\u003e8. Bloodbather\u003cbr\u003e9. Dark Star\u003cbr\u003e10. Consumers\u003cbr\u003e11. What Do We Do Now\u003cbr\u003e12. 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Run For Cover will rerelease the EP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHolo Pleasures \/ California Dreamin’\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eon all formats on June Third, three years since the release of Holo Pleasures. Reissued and expanded, the release’s working title was “Holo Pleasures II,” but in reality, the California Dreamin’ EP works as a companion to Holo Pleasures rather than a sequel. Taken from the same sessions as Holo Pleasures, the formerly unreleased 6 song EP ventures into different territory while maintaining the same dreamlike dizziness and warmth of it’s partner EP. Airy synthesizers, distant drums and cooing vocoders provide an intricate and fascinating backbone to the groovy, trance-inducing songs that are seen by the band as a bridge between the fuzzy indie pop of Holo Pleasures and the more laid-back grooves of their 2015 LP, new alhambra. 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Its title, as any hardcore pro-wrestling fan will recognize, credits the Philadelphia arena that birthed its most legendary and extreme version of it, and the use of samples from wrestling shows and late night televangelists serve as a reference to his upbringing. The album was characteristically made with outdated equipment and limited by only one microphone, with Mike “Dr. Vink” Roberts playing an essential role on bass that enriches the rockier resonation in comparison to elvis depressedly’s previous releases. Cothran and Delaney were constantly on the move during the recording process thanks to their new found career freedom, but none of it takes away from new alhambra fully texturized shift toward brightly melancholic noise-pop inspired by Cothran’s favorite un- sung heroes such as Waterboys, Prefab Sprout and Emperor X.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTracklist:\u003cbr\u003e\u003c\/strong\u003e1. thou shall not murder\u003cbr\u003e2. n.m.s.s.\u003cbr\u003e3. new alhambra\u003cbr\u003e4. bruises (amethyst)\u003cbr\u003e5. rock n' roll\u003cbr\u003e6. big break\u003cbr\u003e7. ease\u003cbr\u003e8. new heaven, new earth\u003cbr\u003e9. wastes of time\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePressing Information:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eFirst Press:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e500 Dark Red w\/ Orange and Yellow Starburst\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1000 Black w\/ Purple Starburst\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1500 Translucent Blue\/Green\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSecond Press:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2000 Dark Purple\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Elvis Depressedly","offers":[{"title":"LP - Translucent Blue \u0026 Green \/ 1500","offer_id":53558502359412,"sku":"RUN2V117LPC2XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53558502392180,"sku":"RUNCDRFC117CDXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/RFC117Cover600px.jpg?v=1762454108"},{"product_id":"enumclaw-home-in-another-life","title":"Enumclaw - Home in Another Life","description":"\u003cdiv id=\"afi-container\"\u003e\n\u003cp\u003eSpeak to Enumclaw singer Aramis Johnson for just a second about his band’s sweeping second album, Home in Another Life, and he’ll tell you how he doesn’t want to be seen—just another millennial-pilled musician, someone too deep into therapy-speak and ceaseless vulnerability to tell you just how fun it can be to play in a rock band. Johnson is 28, after all, still sporting the kind of youthful swagger that suggests most everything might just be a joke. Put on Home in Another Life, and you can spot that esprit instantly: the way the guitars swell and screech behind him as he talks about beer, thongs, and love during the inescapable “Spots”; the surging hook about Sally’s lack of apparent stupidity above the sunbaked jangle of “Grocery Store”; the shout-out-loud protestations that clamber atop arena-sized drums during “Not Just Yet.” Recorded in a four-day Seattle sprint by Enumclaw’s four dudes last winter, this is the kind of explosive record you want to blare during a top-down drive along the California coastline or while aiming headlong into a Midwestern sunset.\u003c\/p\u003e\n\u003cp\u003eBut keep talking to Johnson about Home in Another Life for very long at all, and that formidable façade steadily collapses, a stone wall slowly being pulled apart. As breathless and alluring as these songs sound, they are powered both by Johnson’s abiding self-doubt and a drive for self-improvement, the desire to be more than he is right now. It is written into each of these 11 tracks, Johnson’s heart tucked just beneath the sleeve of these pulsing tunes. Work backward from tender closer “I Want Some Things for Myself,” where Johnson yearns to swap his anxiety and hopelessness for patience and focus. “I Still Feel Bad About Masturbation” examines shame from every direction, aiming for self-acceptance amid imperfection. And magnetic from first second to last, “Change” is an absolute anthem about trying to be anything more than fucked up, about getting past the habits that hamstring you. Are you really millennial-pilled if you’re just trying to figure out your own life?\u003c\/p\u003e\n\u003cp\u003eThere is talk about God and sex, drugs and regret, all direct transmissions from someone wrestling with the weight of growing up. “Can I make it different? Can I make it small?” Johnson sings during one perfect moment of “Sink.” These songs do just that, reducing a life’s struggles to three minutes at a time so that they can not only be understood but sung above the clatter of what has quickly become a very, very good band.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. I'm Scared I'll End Up All Alone\u003cbr\u003e2. Not Just Yet\u003cbr\u003e3. Sink\u003cbr\u003e4. Spots\u003cbr\u003e5. I Still Feel Bad About Masturbation\u003cbr\u003e6. Haven't Seen The Family In A While, I'm Sorry\u003cbr\u003e7. Grocery Store\u003cbr\u003e8. Change\u003cbr\u003e9. Fall Came Too Soon And Now I Wanna Throw Up\u003cbr\u003e10. This Light Of Mine\u003cbr\u003e11. I Want Somethings For Myself\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePressing Info:\u003c\/strong\u003e\u003cbr\u003e100 Clear w\/ Blue \u0026amp; Orange Splatter (Magic Circle Subscription Exclusive\u003ca href=\"https:\/\/runforcoverrecords.com\/products\/run-for-cover-magic-circle-vinyl-subscription\"\u003e\u003c\/a\u003e)\u003cbr\u003e200 Orange in Black (Run For Cover Webstore)\u003cbr\u003e200 Clear w\/ Yellow \u0026amp; Orange Splatter (Enumclaw Exclusive)\u003cbr\u003e500 Orange in White w\/ Orange \u0026amp; White Splatter\u003cbr\u003e1000 Push Pop Orange\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e August 30th, 2024\u003c\/p\u003e","brand":"Enumclaw","offers":[{"title":"LP - Orange in Black \/ 200","offer_id":53558502687092,"sku":"RUN2V276LPC2XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Push Pop Orange \/ 1000","offer_id":53558502719860,"sku":"RUN2V276LPC5XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53558502752628,"sku":"RUNCDRFC276CDXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/RFC276-1500.jpg?v=1762454001"},{"product_id":"fiddlehead-between-the-richness","title":"Fiddlehead - Between the Richness","description":"\u003cdiv id=\"afi-container\"\u003e\n\u003cp\u003eFiddlehead wasn’t supposed to make a second record. But, if we’re being totally honest, they weren’t supposed to make their first record either. Formed in what singer Pat Flynn describes as “a deeply, deeply, laughably depressing part of my life,” Fiddlehead was born with modest intentions. Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex Henery entered the fold. Drummer Shawn Costa and bassist Adam Gonsalves—who has since been replaced by Casey Nealon—linked up with them and, all together, they wrote what would become the Out Of The Bloom EP. Those five songs established what Fiddlehead would be, a band that merged elements of post-hardcore, post-punk, and classic ‘80s emo into something that felt distinctly theirs. \u003c\/p\u003e\n\u003cp\u003eAfter the release of their debut album Springtime \u0026amp; Blind, the band did some weekend-long tours, and saw that their music was hitting people harder than they ever expected. “Kids were singing along in a very desperate way and we realized it wasn’t just resonating with us, it was resonating with these people in a really meaningful way,” says Flynn. Springtime \u0026amp; Blind was a hit for many reasons, but chief among them was Flynn’s open-hearted exploration of his father’s passing, which saw him use his lyrics as a means of relating to and understanding his mother’s grief. So when it came time for Fiddlehead to work on a second record, people weren’t just curious what the songs would sound like, they were curious what they’d even be about. \u003c\/p\u003e\n\u003cp\u003eBetween The Richness effectively picks up where Springtime \u0026amp; Blind left off, as Flynn dives headfirst into that same subject. But astute listeners will notice a major difference this time: Flynn is singing about himself. “These massive things happened in my life between the first record and this record. It just so happened that I ended up getting married, I had a child, and it was around the 10-year anniversary of my father’s passing. So what if I want to write another record about how I feel about the loss of my father? Will people be like, ‘Pick another topic, dude.’ So, the opening track is called ‘Grief Motif’ because it’s the idea that this is an eternal struggle that will never go away. Take it or leave it, but it will be part of this dude as long as he’s got a pen in the hand.”\u003c\/p\u003e\n\u003cp\u003eBetween The Richness explodes with an energy that usurps that of Springtime \u0026amp; Blind. The guitar riffs of Dow and Henery are their most anthemic and combustive yet, making songs like “The Years,” “Get My Mind Right,” and “Down University” not just serve as the backbone for Flynn’s personal ruminations, but empathetic, emotional musical stabs that hit the listener just as hard. Meanwhile, Costa and Nealon give the songs a propulsive heft, allowing a track like “Million Times” to dart into unexpected territories without ever feeling alien. \u003c\/p\u003e\n\u003cp\u003eBut at the center if it all is Flynn. He’s a different person than he was on Springtime \u0026amp; Blind, because he’s now a father himself. And that experience colors the journey he goes on throughout the album. “My son’s name is Richard and my father’s name is Richard, so it’s literally between the two of them. But it’s also the richness of life and the richness of death. It was important for me to capture that perfectly paradoxical feeling,” says Flynn. “We started writing this record two weeks after my son was born, and it’s a really great way for him when he’s older—and when I’m gone—to say, ‘My father wrote this in the first year of my life. What does that mean?’” It’s an attempt to put words to that strange place we all exist in, that place between the richness. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Grief Motif\u003cbr\u003e2. The Years\u003cbr\u003e3. Million Times\u003cbr\u003e4. Eternal You\u003cbr\u003e5. Loverman\u003cbr\u003e6. Down University\u003cbr\u003e7. Get My Mind Right\u003cbr\u003e8. Life Notice\u003cbr\u003e9. 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Includes jumbo lyric poster.\u003cbr\u003e\u003cbr\u003eFiddlehead’s third album \u003ci\u003eDeath is Nothing to Us\u003c\/i\u003e is a defiant, new chapter for the band. Since 2014, the Boston-based group have been honing their unique sound, bringing together the energy of hardcore, the anthemic melodies of ‘90s alternative, and the unbridled passion of Revolution Summer era emo. Their previous albums, 2018’s \u003ci\u003eSpringtime and Blind\u003c\/i\u003e and 2021’s \u003ci\u003eBetween The Richness\u003c\/i\u003e, dealt heavily with grief from different perspectives, and now their latest feels like a de facto culmination, drawing together many of the catalog’s through-lines sonically and lyrically.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe band again teamed with producer Chris Teti for their third record, and his punchy production captures Fiddlehead’s live energy while showcasing the massive guitars and undeniable catchiness that makes their music so immensely satisfying. The album’s concise 27 minutes sound like a natural extension of all of the band’s strengths, but is glued together by vocalist Pat Flynn’s singular tuneful roar. Flynn, since his time as the vocalist of Have Heart and now as Fiddlehead’s frontman, has earned a reputation as one of hardcore’s most thoughtful lyricists. He interweaves his ruminations on life, death, and all the joy and tragedy in between with references to Roman philosopher Lucretius; the author Jean Améry; other musicians like Bad Brains, Alex G, or Wire, and even references to the band’s own back catalog.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe humanity across \u003ci\u003eDeath Is Nothing To Us\u003c\/i\u003e is palpable in every note. It’s the kind of art that observes pain with real honesty rather than prescribing a solution for it–and in doing so, inadvertently offers some sense of hopefulness. The album finds Fiddlehead so deeply delving into the pain, confusion, nuances, and contradictions of sadness–so willingly wrapping their arms around a concept as existentially baffling as death itself–that they’ve created an album that is truly life-affirming. \u003ci\u003eDeath is Nothing to Us \u003c\/i\u003eexemplifies so much of what makes Fiddlehead a special band: taking these heady, unanswerable questions and wrestling with them in a very earthbound way, all wrapped up in the urgent power of a three minute punk song.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\u003c\/strong\u003e1. The Deathlife\u003cbr\u003e2. Sleepyhead\u003cbr\u003e3. Loserman\u003cbr\u003e4. True Hardcore (II)\u003cbr\u003e5. Welcome to the Situation\u003cbr\u003e6. Sullenboy\u003cbr\u003e7. Give it Time (II)\u003cbr\u003e8. Queen of LImerick\u003cbr\u003e9. The Woes\u003cbr\u003e10. Fiddleheads\u003cbr\u003e11. Fifteen to Infinity\u003cbr\u003e12. 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Following the release of their Out of the Bloom EP on Lockin Out Records, the Boston-based band have created a debut LP that shares an anguishing, relatable story of love and loss through the catharsis of spirited, loud indie rock. Consisting of guitarist Alex Henery (also of Basement), vocalist Patrick Flynn and drummer Shawn Costa (both of Have Heart), Fiddlehead explore musical styles different from their other projects while bringing a familiar energetic and emotional core to the collaboration.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSpringtime and Blind stemmed from Pat’s loss of his father. Flynn looks at how his mother coped with the situation- losing her spouse, her center of gravity -writing the lyrics as an emotional catharsis for both of them. Like the pain both he and his mother experienced, “a wild grief so well hidden,” the songs on this album hide the pain of loss beneath a layer of punchy, energetic instrumentals.\u003c\/p\u003e\n\u003cp\u003eAs the title \"USMA\" explains, the song is about the United States Military Academy where Flynn’s father was buried. It is a refreshingly energetic song from the album, that explores love not only for a person, but for a beautiful place and how that place grows up with you.\u003c\/p\u003e\n\u003cp\u003eThe first single to be released from Springtime and Blind, “Lay Low,” opens with a slow guitar riff that seemingly explodes with the first beatof the drum. “Lay Low” pushes Flynn’s vocals to their breaking point ashe cries out. Flynn has self-described the song as the concept that “lifecontinues on,” even when it seems to be too difficult to handle. It’s an overwhelming sense of change that brings with it the feeling of dread, a feeling that as the song says is “too much for me.”\u003c\/p\u003e\n\u003cp\u003eAt the center of the album is “Poem You,” a boldly personal song. Embedded between the vulnerable “I’ll see you again” of the chorus is a rather-loaded sound clip of Flynn’s father speaking on voicemail; “I’ll get back to you as soon as I can” the electronic voice seems to reply. The final track of the album, “Widow in the Sunlight” finishes the album on a lighter note. The line “sunlight, moonlight, this life, next life” evolves into a mantra throughout the song - a cyclical look at things constantly fluctuating but perhaps eventually improving. There’sa taste of hope for what the next life brings, a feeling of reunion. While the process of writing and recording helped Flynn cope with his personal loss there’s no doubt it carries a universal message that can help ease others’ loneliness. 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White and Black Marble\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2500 Clear Pink\u003c\/span\u003e\u003c\/p\u003e","brand":"Fiddlehead","offers":[{"title":"LP - Black Cherry Marble \/ 800","offer_id":53558503342452,"sku":"RUN2V174LPC8XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53558503375220,"sku":"RUNCDRFC174CDXAX","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"LP - CLEAR PINK","offer_id":54049078903156,"sku":"RUN2VBLINDXXXXAX","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/600_15.jpg?v=1762453680"},{"product_id":"field-medic-fade-into-the-dawn","title":"Field Medic - fade into the dawn","description":"\u003cdiv id=\"afi-container\"\u003e\n\u003cp\u003e“Any song that’s true is a good song in my mind,” says Kevin Sullivan, the lo-fi bedroom folk artist better known as Field Medic. “That’s why I never find it necessary to add too much stuff to my recordings. I’m just into songs themselves.”\u003c\/p\u003e\n\u003cp\u003eThat principle is the guiding light behind Field Medic’s hypnotically beautiful and fearlessly honest new record, ‘fade into the dawn.’ Sullivan’s first proper full-length release for Run For Cover and his first since making the leap to full-time musician, the collection features ten sparse, acoustic tracks that reckon with our perceptions of success and self as they face down the inevitable complications that arise from realizing any hard-won dream. Sullivan has always written candidly about doubt and darkness and anxiety, but he digs deeper than ever before here, blending black humor and bold introspection as he weighs fantasy against reality, grapples with his relationship with alcohol, and searches for meaning in the mundane. “I used to be a romantic \/ Now I'm a dude in a laminate,” he sings of life on perpetual tour, encapsulating at once both the tantalizing allure and endless tedium of the road.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. used 2 be a romantic\u003cbr\u003e2. i was wrong\u003cbr\u003e3. the bottle's my lover, she's just my friend\u003cbr\u003e4. henna tattoo\u003cbr\u003e5. hello moon\u003cbr\u003e6. tournamanet horseshoe\u003cbr\u003e7. songs r worthless now\u003cbr\u003e8. mood ring baby\u003cbr\u003e9. everyday'z 2moro\u003cbr\u003e10. help me forget...\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePressing Information:\u003cbr\u003e\u003c\/strong\u003e300 Oxblood in Clear\u003cbr\u003e700 Blue with Black Smoke\u003cbr\u003e1000 Baby Blue\u003c\/p\u003e\n\u003cp\u003eSecond Pressing\u003cbr\u003e1000 Mustard Yellow\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e May 24th, 2019\u003c\/p\u003e","brand":"Field Medic","offers":[{"title":"LP - Oxblood in Clear \/ 300","offer_id":53558503506292,"sku":"RUN2V188LPC0XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Blue with Black Smoke \/ 700","offer_id":53558503539060,"sku":"RUN2V188LPC2XXAX","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53558503571828,"sku":"RUNCDRFC188CDXAX","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"CASSETTE","offer_id":53558503604596,"sku":"RUNCT188CTC1XXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/600_16.jpg?v=1762453581"},{"product_id":"field-medic-floral-prince","title":"Field Medic - Floral Prince","description":"\u003cdiv id=\"afi-container\"\u003e\n\u003cp\u003eFor some time now, followers of Field Medic have been piecing together clues about Floral Prince. The name has been mentioned in late night Twitter hints, secret YouTube leaks, teaser riddles, Instagram live sets, and standalone single drops. This unconventional approach paints a bigger picture for the 11-track project as a whole, set for release October 2nd from Run For Cover Records.\u003c\/p\u003e\n\u003cp\u003ePart mixtape, part album, part collection, part musical patchwork quilt, Floral Prince is the latest offering from Field Medic, aka the preeminent Bay Area freak folk artist Kevin Patrick Sullivan. It’s a reflection of his unique approach to songwriting and a creative drive that can’t be contained to the traditional album format. Field Medic’s songwriting rarely slows down; even after the release of his 2019 full-length fade into the dawn and the busy touring schedule that followed, Sullivan still found himself flush with new songs and ideas. As he attempted to earmark certain songs for his next release Sullivan began to chafe at the pressures of a follow-up album.\u003c\/p\u003e\n\u003cp\u003eIn the end Floral Prince is actually many things at once: a snapshot of an artist shaking off the perceived boundaries of his medium; a document of years of Sullivan’s life preserved in musical form; the closing of one songwriting chapter and the start of another. Or perhaps as Sullivan puts it, “All songs have their day…”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. -h-o-u-s-e-k-e-y-z-\u003cbr\u003e2. i want you so bad it hurts\u003cbr\u003e3. i will not mourn who i was that has gone away\u003cbr\u003e4. bundle of hyacinths\u003cbr\u003e5. HEADCASE\u003cbr\u003e6. it’s so lonely being sober\u003cbr\u003e7. better way\u003cbr\u003e8. talkin johnny \u0026amp; june (your arms around me)\u003cbr\u003e9. older now (it hurts)\u003cbr\u003e10. before your body goes\u003cbr\u003e11. TRANQUILIZED\u003cbr\u003e(bonus track) chamomile\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e October 2nd, 2020 \u003c\/p\u003e","brand":"Field Medic","offers":[{"title":"LP - Cobalt Blue","offer_id":53558503702900,"sku":"RUN2V221LPC3XXAX","price":19.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Gold","offer_id":53558503735668,"sku":"RUN2V221LPC5XXAX","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0939\/0607\/6020\/files\/600_17.jpg?v=1762453419"}],"url":"https:\/\/runforcoverrecordsuk.com\/collections\/best-sellers.oembed?page=12","provider":"Run For Cover Records UK","version":"1.0","type":"link"}